2022ミックステープ: ローソンH 浅草観音店 サウンドトラック 2022年10月19日発売
(2022mixtape: Lawson H Asakusa Kannon Store Soundtrack October 19th, 2022)

Lawson’s door chime (2021).

Sarah Vaughan “Black Coffee” (1955).

Seefeel “Signals” (1993).

Tin Machine “Needles on a Beach” (1994).

The Jazz Butcher “Soul Happy Hour” (2001).

Billie Holiday/Teddy Wilson “Easy Living” (1937).

Remy Bourgeois “Nostalgic Memories” (2020).

Various artists. “Izlel je Delyo hajdutin” (1995).

Vangelis “Memories of Green” (1984). RIP.

Cat Power “Me Voy” (2018).

This Mortal Coil “Song To The Siren” (1984).

Saiko “Off The Record” (2019).

Sparks “Those Mysteries” (1977). Used as theme song for Mystery Show.

The Raincoats “The Void” (1979).

Public Works “More Difficult” (1991).

Cliff Carlisle “Goin’ Down The Road Feelin’ Bad” (1934).

Bill Pritchard “Better to be Bitter” (1989).

Alan Watts “Life Is A Journey” (1977).

Dry Cleaning “Every Day Carry” (2021). “Your own personal fatberg, homemade.” "Huge white geese please us all.” [2021 interview]

Beth Orton “Roll the Dice” (1993).

The Innocence Mission “Martha Avenue Love Song” (2003).

The Sundays “My Finest Hour” (1990).

Broadcast “Echo’s Answer” (2000).

Django Reinhardt, Coleman Hawkins “Out of Nowhere” (1958).

Massive Attack, Hope Sandoval “The Spoils” (2016).

Pavement “Here” (1992).

Julee Cruise “Summer Kisses, Winter Tears” (Until The End Of The World sountrack; 1991). RIP.

Gianfranco & Gianpiero Reverberi “Il carico d’oro” (1968).

Dead Can Dance “Windfall” (1987).

Courtney Barnett “Anonymous Club” (2013).

Zero 7, Sophie Barker “In The Waiting Line” (2001).

Vanessa Daou, Animal Feelings – “Near the Black Forest 2.0” (2020).

Hollie Cook “Tiger Balm" (2014).

Disasterpeace “Adventure” (2012).

Tamara Garrett “Kitty Poo, Uh-oh” (198X). WFMU playlist (mar 8 2006): “Demo tape version of song recorded in late 80s by then seven year old Tamara and her dad on guitar ... who passed on the tape to KALX where it became a huge hit ... It never got played anywhere else ...”

Hilt “Way Out There” (1991).

Heidi Berry “Up in the Air” (1991).

Platform Stereo “Flash” (2020).

Eleftheria Arvanitaki “Erotiko” (2010).

Anna Palm “Limbs” (1990).

He Said “Pump” (1986).

Blind Blake “Playing Policy Blues” (1930). The fascinating history behind this song and “Policy” can be found here ... the author takes the time to decode the meaning of the policy numbers Blind Blake uses.

Ukulele Dub Society “Blue Monday” (2021).

Tom Tom Club “Genius of Love” (1981).

ローソン 初期CM (Lawson’s commercial #1) (19XX).

Neko Case “Set Out Runing” (2000).

The Polyphonic Spree “Section Eight” (2002).

Zee Avi “I Am Me Once More” (2009).

The Flying Lizards “Money” (1979).

Shock Headed Peters “I, Bloodbrother Be” (1986).

Anne Pigalle “A Crack In The Ocean” (1985).

Locust “Still” (1994).

April March “Garçon Glaçon” (1999).

The Smiley People “It Makes Me Haaappy” (1989).

Ennio Morricone “Il ritorno di Ringo (Main Titles – Vocal)” (1965).

Saint Etienne “Wilson” (1992).

Orbital “Halcyon and On and On” (1993).

Death in Vegas “Girls” (2004). The version from Milk It, apparently. The one with the smoother bass.

Optigan “Harmonic 33” (2005).

ローソン 初期CM (Lawson’s commercial #2) (19XX).

Chris Liebing, Polly Scattergood, Goldfrapp “And All Went Dark” (2018).

Yello, Stina Nordenstam, Steve B-Zet “To The Sea” (1997).

Cliff Edwards “It’s Only A Paper Moon” (1933).

Tycho “A Walk” (2011).

10cc “I’m Not In Love” (2002).

Japanese Breakfast “Glider – From Sable Original Videogame Soundtrack” (2021).

Club 8 “The End of the Affair” (1998).

Esthero “Heaven Sent” (1998).

Naked Raygun “Bananacuda” (1986). Sub Pop 100.

Land of the Loops “Multi-Family Garage Sale (Bargin-Bin Mix)” (1997).

Monsoon, Sheila Chandra “Ever So Lonely – 1981 Version” (1981).

Vince Guardaldi Trio “Linus and Lucy” (1965).

Ride “Vapour Trail – 2001 Remaster” (1990).

Thomas Dolby “Europa And The Pirate Twins” (1983).

The Concretes “Lady December” (2005).

One Dove “Fallen” (Andy Weatherall “Nancy and Lee Mix"; 1991).

I prefer this mix which is not on Spotify. There’s a bit of a history/story behind one of the samples of this track coming from an Italian mix that sampled Supertramp and so Supertramp had Issues with it and the mix was pulled from bins one week after release. After reading about 20 articles about it, I’m still not sure if the sample in question was on the original track, or just Weatherall’s remix since half the articles say one thing, and the other half, fittingly, the other. It looks like -- and this is just my uneducated opinion -- that I really don’t care enough to ferret out the actual truth of the matter. Oh god, now I’m trying to figure out if this is the pulled mix or a cleaned-up mix, I don’t need this right now, no time left in the time bag. For the longest time I had a different inferior mix of this and about ten or so seconds of the Weatherall mix and I just could not find the damn thing then, suddenly: the internet showed up.

After Weatherall’s death in February 2020, One Dove member Ian Carmichael posted his memories of the making of the album on defunct social media website Facebook:

The day Andy Weatherall came to Glasgow to work in my studio, I slept in. When I arrived, breathless and sweaty and terrified, I was thinking I’ve kept this VIP DJ waiting outside on the doorstep for 20 minutes; he’s going to be so pissed off and I’m the biggest jerk in the world. He was sitting reading NME. Smiling. Smiling BIG. The reviews of Screamadelica had just come out that day. The NME saved my life. As friendly and happy as he was, I was still intimidated by him, and his way of working was so unconventional I felt that I was playing catch-up the whole day. His first instruction on the remix was to change the time signature of the track – EVERYTHING had to be reprogrammed. I was a nervous wreck.

And then we started to commit to tape the tracks as he wanted them played – starting with just the rhythmic breaths – and he would add elements in and we’d just record it to tape and build the track up bit by bit. Back then that meant editing a 1/4" reel to reel.

I had bits of tape all of the floor, around my neck, across the mixing desk – I couldn’t remember what any of them were. I had razor cuts on my fingers and my hands were sweating so much I couldn’t hold the tape. I wouldn’t even get halfway through an edit before Andy would be giving out instructions on the next part of the track. All I could see in front of me were the red LEDs on the tape machine screaming OVERLOAD! I wanted to die.

It was one of the worst days of my life. And one of the best. [baggingarea]

Yello “Angel No – Remastered 2005” (1985).

Chantal Goya “Tu M’as Trop Menti” (1966). From The French Dispatch (Original Soundtrack). I have included a multi-page excerpt from the 2020 publication Macros, a book-like item, RE this film, below.

The Passions “I’m In Love With A German Film Star” (1981).

Grand Veymont “Bois barbu” (2018).

Barry Adamson “Il Solitario” (1991).

Cee Farrow “Should I Love You” (1983).

Crumb “Jinx” (2019).

Superorganism “Something For Your M.I.N.D.” (2018).

Saint Etienne “Nothing Can Stop Us” (1992).

the bird and the bee “Polite Dance Song” (2008).

Johnny Guarnieri “Santa’s Secret” (1944).

The Beatles “Magical Mystery Tour” (1967).

The Silver Machine “Communion” (2019).

Calexico “Corona” (2004).

Jamiroquai “Virtual Insanity” (1996).

The Daniel Pemberton TV Orchestra “The Orb Of Dreamers” (2008).

my bloody valentine “I Only Said” (1991).

The Beloved “Outerspace Girl” (1993).

The Church “Under the Milky Way” (1988).

Helium “Pat’s Trick” (1995).

ローソン 「マチのほっとステーション(スタジオジブリ制作)」CM (Lawson’s Machi no Hot Station commercial – produced by Studio Ghibli; 2019).

Saint Etienne “Girl VII” (1992).

Japanese Breakfast “Diving Woman” (2017).

The Mermen “Miki’s Lush Beehive” (2000).

Wanda Jackson “Funnel Of Love” (1961).

Deee-Lite “Stay in Bed, Forget the Rest” (1994).

CAPSULE “グライダー” (2005).

Tricky “Brand New You’re Retro” (1995).

The Detroit Cobras “Midnite Blues” (1998). RIP Rachel Nagy (Metro Times Jan 15 2022).

Manufacture, Sara McLachlan “As the End Draws Near” (1990).

Sister Rosetta Tharpe, Marie Knight, Sam Price Trio “Didn’t It Rain” (1958). Had no idea the accompanying video was shot on a disused UK railway station. Thought it was a set, turned out it was half a set.

The Residents “Santa Dog ’78” (1972).

Sister Nancy “Bam Bam” (2002).

The Tear Garden “Ophelia” (2009).

若槻千夏　ローソンCM－からあげクン篇 (Chinatsu Wakatsuki Lawson CM-Karaage-kun; 2011).

The Beatles “Get Back – Naked Verion / Remastered 2013” (1970).

Stompin’ Tom Connors “I’ve Been Everywhere – Live” (1971).

The Chemical Brothers “Where Do I Begin” (1997).

Dry Cleaning “New Job” (2019).

Tullycraft “8 Great Ways” (1998).

Mahna Mahna and The Two Snowths “Mah Na Mah Na” (1969). Cover of Piero Umiliani.

Imperial Teen “Sugar” (2002). Live at Maxwell’s 10/30/2002

CHIC “Good Times” (1979; 2018 Remaster). One of the first ten 45s I purchased as a young whatever I was. Big hole, faster.

Jon Wayne “Truckin’” (1985).

Lacquer “Behind” (2002). Video directed by Olivier Gondry/Michel Gondry.

Earth, Wind & Fire, The Emotions “Boogie Wonderland” (1979).

Ambulance LTD “Primitive (The Way I Treat You)” (2004).

Wire “Arriving/Staying/Going?” (1991).

Ennio Morricone, I Cantori Moderni Di Alessandroni “L’Ultima Volta – From Malamondo” (1964). The French Dispatch (Original Soundtrack).

Dubstar “Stars” (Mother Dub; 1997).

Cymbals “My Brave Face” (2000).

Jaydee “Plastic Dreams” (2011).

Roland Al, The Soul Brothers “Miss Ska-Culation” (1966).

Solex “One Louder Solex” (1998). This song and the album Solex Vs. the Hitmeister still give me the willies. I was driving across the country around 1999, in the middle of Nowhere, Nevada. Just had spooky vibes the whole night. Yeah, it was US Route 50, “The Lonliest Road in America.” At one point I was doing switchbacks up a mountain and then as I looped around there was this suddden giant LIGHT behind me and I screamed my eyes over to the rear-view mirror, which had a picture-perfect shot of my apparent nemesis: THE MOON. I laughed at that, but still had about three more hours of mild internal terror before I settled into some long-forgotten dirty casino town.

Delta 5 “Powerlines” (1982).

The Jazz Butcher “Roadrunner” (1984).

DJ Format “We Know Something You Don’t Know” (2003).

Dry Cleaning “Scratchcard Lanyard” (2021).

Throwing Muses “Counting Backward” (1991).

RBYN “Out Of The Dark” (2017).

The Spotniks “Ampola” (1963).

Book Of Love “I Touch Roses” (1986).

Mo-Dettes “White Mice” (1979).

Blood, Sweat & Tears “Spinning Wheel” (1968).

Cornershop “Brimful of Asha” (1997).

Ladytron “Paco!” (2001).

Lush “Nothing Natural” (1992).

LaVern Baker “Bumble Bee” (1961).

A Guy Called Gerald “Voodoo Ray” (1988).

The Fall “New Big Prinz” (1988).

Martha and the Muffins “Echo Beach” (1980).

Stereolab “Wow And Flutter” (1994).

Alvvays “Next of Kin” (2014).

Emergency Broadcast Network “Super Zen State (Power Chant No. 3)” (1995).

ESG “Dance” (2010).

Blonde Acid Cult “Shake It Loose” (2008).

Aphrodite’s Child “The Four Horseman” (1971).

Donna Summer “I Feel Love” (1987).

The Beths “Little Death” (2018).

Blondie “Hanging On The Telephone” (1978).

Cherry Glazerr “Told You I’d Be with the Guys” (2017).

CAPSULE “All The Way – 2021 Remaster” (2017).

El Caminos “Reverb Explosion (pt. 1)” (1997). “Japan’s #6 surf band.” Coming into the bay area from points East it’s all quiet on the freeway, you’re a bit higher than the city then it starts with downhill curvy nonsense while it gets a little tighter and little faster with more cars joining the stream and tighter and faster and more cars and TIGHTER FASTER MORE CARS. I always put this on as I begin the tumble into oblivion. The screaming really sells it.

Jack Black “Mexican Car Chase” (2001). Not that Jack Black. There are many bands named Jack Black or Black Jack/Blackjack. Fool your friends. If I ever build my mind arcade, I will modify Williams’ High Speed so it plays this when you start the game.

Killing Joke “Love Like Blood” (1985).

Girls At Our Best! “Getting Nowhere Fast” (1981).

The Postmarks “No One Said This Would Easy” (2009).

Operator Music Band “Wobbulator” (2017).

Horrible/Adorable “37th Street” (2015).

Jacqueline Taleb “La première a gàuche” (2002).

Pepe Deluxe “Everybody Pass Me” (1999).

Mariachi Reves del Aserradero “El Cihualteco” (1993).

The Penetrators “Checkpoint Echo” (2000).

The Coathangers “Merry Go Round” (2014).

Tomotaka Oosumi, Nobuaki Nobusawa “Dagashiya no Tensai” (2017). From the manga/anime series Dagashi Kashi (だがし かし “Cheap Sweets Candy” or “However”). From wiki: “Shikada Dagashi, a countryside shop selling cheap candy and snacks has been run by the Shikada family for nine generations [...]”

Clan of Xymox “A Million Things” (1986).

The Wedding Present “Brassneck” (1989).

Happy Mondays, Andy Weatherall, Paul Oakenfold “Hallelujah – Club Mix” (1993).

Divine Sounds “What People Do For Money” (1984).

【ローソン】毎月6日は「ロールケーキの日」♪偶数月は2倍の厚さ！ (2021).

Phantogram “As Far As I Can See” (2010).

The Galleria, Jessy Lanza “Calling Card” (2015).

Danielle Dax “Cat House” (1988).

Stereo Total “Je M’en Fous” (2016).

Colourbox “Looks Like We’re Shy One Horse / Shoot Out” (1983).

Joey Beltram “Energy Flash” (1996).

Love Is All “Make Out. Fall Out. Make Up.” (2006).

Bird and the Bee “Fucking Boyfriend” (2007; Düosseüdo Remix).

My Life With The Thrill Kill Kult “Universal Luxury” (1995).

Speedy West “Space Man In Orbit” (1962).

Tipsy “Reverse Cowgirl” (2000).

Clan of Xymox “Blind Hearts” (1989).

Dr. Calculus “Programme 7” (1986).

Komeda “Disko” (1996).

Cibo Matto “Sci-Fi Wasabi” (1999).

The Shitbirds “Theme from Shitbird” (2012).

ローソン 沖縄フェア 開催中です♪ (LAWSON is holding the Okinawa Fair commercial 2022).

The Primitives “Crash” (1988).

Cold Beat “Cracks” (2015).

The New Pornographers “Mass Romantic” (2000).

Dub Narcotic Sound System “Fudgy the Whale” (1999).

Lederhosen Lucil “Anarchavid” (2003).

Apeonaut “Defender” (2002). Here is a quote from the artist in an ask.metafilter question about the album:

All the samples on these songs have been used without the permission of the original artists. I’m sure there are lots of laws about the use of copyrighted material, but I don’t know shit about it. I’m assuming that I can get away with ripping off songs as long as I don’t try to make money off them, but I’m probably wrong. Therefore, I hereby create the first law of Apeodynamics: These songs are not to be reproduced for profit or broadcast commercially. Don’t panic. We can get through this, if we just keep our cool.

Vaski, Beak Nasty “Weightless” (2014).

Chapterhouse “Pearl – Edit” (1990).

Deadbolt “Cockeye” (1994). See *I* am COCKEYE! – Deuce of Clubs.

Yeah Yeah Yeahs “Down Boy” (2007).

Aztec Camera “Oblivious” (1983).

Pixies “Into the White” (Live at Malibu Night Club, Lido Beach, New York; 1989).

Sleater-Kinney “The Drama You’ve Been Craving” (1997).

Arling & Cameron “We Love Dancing” (1999).

S-Express “Theme From S-Express (USA Mix)” (1988). [2, 3, 4, 5]

Matorralman “Chicas Kamikaze” (2010).

Santigold “Disparate Youth” (2012).

Heart “Barracuda” (1977).

Apoptygma Berzerk, Claudia Brücken “Unicorn (Duet Version)” (2002).

Xmal Deutschland “Qual” (1983).

Autechre “Second Bad Vilbel” (1995).

Plastics “TOP SECRET MAN” (2004).

Propellerheads “On Her Majesty’s Secret Service” (1998).

Mocket “Magic and Ecstacy” (1999).

Apashe & Vladimir Cauchemar “RIP” (2022).

Immigrant Suns “Surfin’ Albania” (1998).

The Hollywood Persuaders “Drums A-Go-Go” (2009). The edited version from the Natural Born Killers Soundtrack.

Ex-Girl “Disco 3000” (1999).

The Prodigy “Charly – Alley Cat Remix” (1991).

Love and Rockets “Yin and Yang (The Flowerpot Man)” (1986).

Atari Teenage Riot “Sick to Death” (1997).

The Jon Spencer Blues Explosion “Dig My Shit” (1996).

Guitar Wolf “Fujiyama Attack” (1999).

Lawson’s door chime (2021).